Skip to main content

In the Arms of Immortals by Ginger Garrett

It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old...or for somewhere in between! Enjoy your free peek into the book!

You never know when I might play a wild card on you!


Today's Wild Card author is:


and the book:


In the Arms of Immortals: A Novel of Darkness and Light (Chronicles Of The Scribe)

David C. Cook (2009)


ABOUT THE AUTHOR:



An expert in ancient women’s history, critically acclaimed author Ginger Garrett (Dark Hour, Chosen: The Lost Diaries of Queen Esther, and most recently In the Shadow of Lions) creates novels and nonfiction resources that explore the lives of historical women. In addition to her writing, Garrett is a frequent radio and television guest. She resides in Georgia with her husband and three children.

Visit the author's website.



Product Details:

List Price: $14.99
Format: Paperback
Number of Pages: 304
Vendor: David C. Cook (2009)
ISBN: 0781448883
ISBN-13: 9780781448888

AND NOW...THE FIRST CHAPTER:


In the Arms of Immortals

Chapter One


Thirty thousand dollars bought her the right to avoid being scalded alive.


Mariskka Curtis did not miss the shoddy built-in shower that had been in her old apartment. Now she owned a penthouse, and one of her first decisions as a new millionaire was to have a high-end luxury shower installed.


“For thirty grand, it should make my breakfast, too,” Mariskka said to no one.


At least the bathroom was warm, making goose bumps and bad leg shaves a thing of the past. The maid had lit the fireplace in the master bath an hour ago and brought a fresh careen of coffee up. The milk still needed to be frothed, but Mariskka didn't mind that.


She pumped the handle six times and the milk bubbled up. She poured coffee into her monogrammed cup, then the foamy milk over the coffee. Mariskka inhaled, surprised that coffee could still bring her so much pleasure.


Rolling her neck to get the morning kinks out, she swung open the shower door and sat inside. The shower began as a slow warm mist around her feet, giving her a few minutes to finish her coffee before the gentle raindrops started from the overhead faucet and the dawn lights bounced pink off the shower glass.


Later this morning she was scheduled for an appearance on yet another talk show to dazzle America with her rags to riches tale. She hated the hollow feeling in her stomach that came from lying. She had stolen her best-selling manuscript from a patient's room. The patient, Bridget, had been a famous editor, and left it behind when she died. Mariskka stole it on impulse, thinking it might be valuable if sold on eBay. Only later, when packing the editor's belongings, had Mariskka seen the business cards thrown in the bottom of her bags. One was for an agent. Mariskka had contacted the agent, passing the manuscript off as her own. It couldn't hurt anyone, she had thought. Mariskka had also stolen Bridget's watch, but only because she intended to return it to the family. Only later did she realize Bridget had no family.


When the agent sold that manuscript in a seven-figure deal, it was as if God answered her prayers. Mariskka made a pile of easy money. She bought things she never dreamed of owning. She even donated some of it, paying hospice bills that threatened to bankrupt families and sent worn out care givers on vacations. Good things had happened to plenty of people because of her decision to steal.


As the mist rose she finished her coffee and waited for the overhead shower to turn on. Hard rock blared suddenly through the shower speakers, and she dropped her coffee cup in surprise. It shattered at her feet. Instinctively she yanked her feet out of the scalding puddle. Losing her balance in the wet mist, she hit her head on the imported tile and blacked out.


The smoke stung Mariskka's eyes.


She blinked, trying to clear her mind, groping in the darkness for the shower door. The shower had stopped, and the music was dead. She wondered if the building had lost electricity.


She crawled over something sharp and jagged. The lights must have shattered above. It was too dark to see anything; she wished she had windows in her bath as she pushed back the shower door.


Something was coming.


She felt the vibrations through her legs, shaking her to her stomach. Straining to hear above her thundering heart, she heard a heavy scraping against her hardwood floors, the sound of a sharp tool being dragged over the floors, catching every second or so, bumping over a seam. Heavy footfalls shook the floor, and metal screeched together with each step. She thought of the armored boots she had seen on medieval knights in museums.


Something slammed against the door, making the wood split.


It hit again.


“There is no Blood here,” someone said.


“God help me,” she whispered.


When she said the word God, the thing outside the door shrieked like an animal. A sword pierced through the door, creating a jagged seam as the intruder jerked it back and forth in the split wood. Light streamed in from her bedroom windows, but she could see nothing except a sword sawing its way through the door.


They should be testing the microphones for the television hosts right now, she thought. Amber-Marie Gates, her publicist, was going to be furious when Mariskka didn't arrive on time. Or when she didn't arrive at all.… Mariskka's mind was gone, traveling down more familiar tracks, unable to process her death.


Then the door burst apart, and she was showered with wood fragments. A figure too large to pass through the doorframe stood, stood, twisting its head in different directions, staring at her. The glowing blue dawn outlined its frame. Morning sunrays shot up from behind its head and between its flexed arms, illuminating dust particles spinning down and turning the shifting light into a kaleidoscope.


Metal wings reflected the light at their sharp ice-pick tips; below these, the shoulders of a man were layered with scales. Each finger was tipped with dozens of iron claws, all pointing backwards. Once it grabbed her, she wouldn't get free without tearing herself to shreds. It was built for death.


“There is no Blood here,” he said.


“What?” she screamed.


“You have no Christ.”


A tail with an iron tip, long and scalpel sharp, raised behind him as he pointed his sword at her. He turned his shoulder to come through the door. As he thrust his wings against the frame, cracks ran up the walls above the door.


He lifted his sword, aiming for her neck. She wondered if her lips would still be moving after death, the way Anne Boleyn's had.


He spun back around, his sword in motion.


A shower of sparks was burning her.


She remembered lights like this.


She was a child at Disney, watching the Magical Parade of Lights. A green, scaled dragon floated past her as she sat on the sidewalk, full of lemonade and ice cream. When the dragon swung its head in her direction, with its blind paper eyes and red paper streamers coming from its mouth to look like fire, Mariskka vomited right between her shoes. No one noticed, not the least her mom, who had taken the wide white pills so she could get through the day, one of their last together. Mariskka wanted her to take the pills so she wouldn't be in pain, so she wouldn't groan in the night, but the pills made her dull and distant. Either way, Mariskka lost her mother a little more each day.


She stood, grabbing her mother's hand, pulling at her to run. Her mother laughed, tipsy from the combination of opiates and Disney princesses, swinging her around in a dance, not understanding the panic in her daughter's eyes. Mariskka struggled to get free, to see where the dragon went, but it was gone. She would lie awake for years after that, wondering where it was now. The eyes had only been paper, but she knew. It had seen her. It had seen something inside her.


Mariskka was still remembering herself as a little girl when she noticed her impending death had been delayed. Another creature was here, holding a sword, blocking the iron-winged monster from killing her. He had gold-and-straw colored dreadlocks that ran down his back and the body of a linebacker. Judging from how close his head was to her ceiling, Mariskka guessed he was about eight feet tall.


The man picked up the dark iron angel by the neck and slammed it against the wall. Plaster rained down.


“She is ours,” the iron-angel said. “We can take her.”


“Not yet,” the new creature said.


A dark stain spread underneath the iron-angel on the tile floor. The stain shimmered as teeth began to appear, ringing the edges.


The new creature yelled over his shoulders. “Cover your eyes!”


Mariskka stared at the stain, which was devouring the iron-angel as it moved up it his legs.


The new one screamed again, “Mariskka! Now!”


Mariskka obeyed.


She heard the sound of an animal screaming in pain, and then all was quiet.


She looked up to see the new creature staring down at her. His nose was inches from her face, and his dreadlocks fell forward, tickling her cheeks. If he were human, she thought, he would be beautiful. But he could not be real, not with his strange eyes that were like big, gold saucers and canine teeth that peeked out from his lips. His breath smelled of meat, too. She collapsed, losing all control over limb and thought.


His arms slipped behind her knees and under her neck, lifting her without effort. He carried her to the bed and laid her down, drawing the curtains and stepping back into the shadows. He sat in a chair, resting one arm on the armrest, watching her. A thick, numbing sensation started in her toes and poured slowly into her body. She felt it filling her, working its way through her abdomen, then her arms. When it got to her eyes, they closed and she slept.


©2009 Cook Communications Ministries. In the Arms of Immortals by Ginger Garrett. Used with permission. May not be further reproduced. All rights reserved.



Here's my review of this incredible entertaining work of "historical" fiction:

First of all, I would like to extend a heartfelt “Thank you” to Ginger Garrett and her publisher for sending me a copy of "In The Arms of Immortals" to review for them. I have always been grateful for this generosity, and I am trying to improve at being consistent in taking the time to thank these wonderfully giving individuals in a public forum. I really appreciate your time, effort and expense in making a reviewer copy available to me.

Ginger Garrett’s “In the Arms of the Immortals” is an absolute thrill ride! What a creatively crafted work of fiction! The author incorporates spiritual elements in the form of guardian angels who propel our main modern-day character into medieval Sicily at the time of the Black Plague. This moment in time that was so steeped in mystery and superstition comes to vivid life in the pages of this novel as our leading lady is sent back in time as punishment for stealing a manuscript from a dead patient and selling it as her own work.

I adore the little extras that are added to books published by David Cook. The discussion questions, author interviews, and information on the Black Plague and medieval Europe is fascinating and really enhances the enjoyment of the novel. This is one novel that is tough to put down. From cover to cover, it is truly a work of art.

Comments

Popular posts from this blog

Homiletics Training: Content

Homiletics .   By definition, “homiletic” is the art of preaching or writing sermons.   I think we would all agree that our pastors study the Bible thoroughly to deliver sermons every Sunday to their congregations.   The beautiful news is that every child of God can use this discipline to study the Bible for themselves. As a member of Bible Study Fellowship (BSF) Leadership, part of my required preparation each week is to prepare homiletics for the passage we are studying.   BSF offers an engaging seminar on how to use this method to study the Scriptures.   I’ve taken the seminar several times under two different leaders and I’ve learned something new every time I’ve attended.   I’ve also been doing the process of homiletics for over ten years and I can say that there is no better teacher than the Holy Spirit in this process!   So keep practicing.   Keep sharing and discussing.   I’ve been posting my homiletics on this blog for quite a while, now.   And I would like to share wit

Homiletics: John 7

Contents ( not sentence, direct verbiage from Scripture ):   Where?                                                                 Who? 1 1-2 After, J went Gal, not Judea bec Jew ldrs look to kill; Jew fest of tabernacles near 2 3-5 J bros: go Judea so disc see works, show self to world; bros not believe 3 6-8 J: my time not here; world h8 me bec I testify works evil; you go festival, my time not cm 4 9-10 He stay Gal; bros left for fest, He went in secret 5 11-12 @ fest, Jew ldrs watch 4 J: where He?   Widespr whisp: He good man/He deceives ppl 6 13-14 No one say publicly for fear of ldrs; not till ½ way thru fest did J beg to teach 7 15-16 Jews amazed: how man get learning w/o been taught; J: my teaching cm frm who sent 8 17-18 Who choose do will of G find

Homiletics: John 10

Contents ( not sentence, direct verbiage from Scripture ): 1 1-2 VT ITY Phar, any1 enter shp pn by gate=thief/robbr; 1 enters by gate=shepherd 2 3-4 Gatekpr opns gate 4 hm/shp listn/he calls shp by name/leads out/shp follo bec kno voce 3 5-6 They nvr follo stranger, run away bec recog voce; J used fig o spch, Phar understd 4 7-8 Thrfr J: VT ITY I gate 4 shp; all who cm b4 me=thievs/robbrs, shp listn them 5 9-10a I gate, whoevr entr thru me savd/they cm/go/find pasture; thief cm only steal/kill/destry 6 10b-12 I gd shepd, lay dn life 4 shp; Hird hd shepd/own shp, see wolf/abandn shp/wlf attck/scattr 7 13-15a Man run bec care nthg 4 sheep; I gd shep; kno sheep/sheep kno me as Fr kno me/I kno Fr 8 15b-16 I lay dn life 4 sheep; have othr sheep of this pen